Archive for the ‘events’ Category

 

Border Agency ~event in the framework of Liquid Landscapes: what if the ground under your feet can’t be trusted?

July 4, 2019 posted in collaboration, events, research

Date: Wednesday, July 10, 2019
Time: 19:00 – 21:30

Together with the Border Agency collective, we would like to cordially invite you to join and discuss their research titled Liquid Landscapes: what if the ground under your feet can’t be trusted?, through which the concepts of landscape, media, and identity are being addressed. This gathering is a proposition for starting a new conversation, during which each participant will be asked to reflect on the following question: what if the ground under your feet can’t be trusted? 

The participants’ answers will be then collectively discussed through the perspective of this research that questions the experience of a weaponized landscape. How can an everyday landscape become a weapon? Can a certain territory turn against its inhabitants? What strategies can we use in order to access and appropriate a territory that has been already weaponized?

******____________*****************_____________******____________****************

This activity is a side event of the Border Agency collective solo exhibition at the Kunstfort bij Vijfhuizen. You are also invited to visit the exhibition opening on Sunday, July 7, 15.00. Opening speech at 15.30, followed by Q&A, drinks and music by Mayo. The exhibition will run until 1 of September this year. Kunstfort Vijfhuizen Fortwachter 1, 2141 EV Vijfhuizen.

Fort bij Vijfhuizen was part of a 19th cen­tury mil­i­tary strategy which trans­formed land­scape into a weapon by using water as a de­fense line. Con­sid­ering this Stelling van Amsterdam re­mained un­used and thus, in turn, be­came part of the land­scape, col­lec­tive Border Agency con­fronts in their ex­hi­bi­tion vis­i­tors with an “ac­tive” land­scape. For Liquid Landscapes they com­bine their on­going Land­mines Pro­ject with new work. This new in­stal­la­tion, made with local col­lab­o­ra­tors, ques­tions the ex­pe­ri­ence of a weaponized land­scape by linking the Stelling van Amsterdam and the mine­fields in the At­a­cama desert, at the bor­ders of Chile, Ar­gen­tina, Peru and Bo­livia.

Border Agency is an in­ter­na­tional col­lec­tive formed in Chile, which studies the rep­re­sen­ta­tion of land­scape and re­la­tion­ships that are es­tab­lished in dif­ferent com­mu­ni­ties. They use video, audio, dig­ital pho­tog­raphy, draw­ings and in­stal­la­tion. The col­lec­tive is run by Maria-Rosario Mon­tero, Paula Salas and Se­bas­tian Melo.

Tags: , ,

 

Upominki at Galería Metropolitana

May 5, 2019 posted in collaboration, events, projects, research, residency, subsidy

GALERÍA METROPOLITANA, within the framework of its curatorial program 
2018-2020, Strategies to divert Neoliberalism, presents:
Upominki (residency and research)

Friday 3 May 2019 at 19h

Weronika Zielinska (Upominki, Rotterdam) finishes off her residency in Galería Metropolitana, as part of an intercontinental exchange, which includes two self-guided residency programs between Santiago and Rotterdam. This exchange results from the same interests that both projects share with respect to: autonomy and self-initiative, economy and relationships; reciprocity and care. And, given that the two projects operate from the domestic space, we wish to frame this exchange as an extension of our work’ politics that crosses art and life.

From April 19 to May 2, Weronika conducted a research-based project in collaboration with Bruno, Lilly and Marc Klein, the artist’s closest family. In this period they have been developing meetings and conversations with the local communities of artists, academics, students, neighbours, activists and Mapuche creators in order to learn about the different feminist and other practices.

“Galería Metropolitana is spacious and children friendly with easy access for wheelchairs and strollers. By taking my family on a residency I meant to productively deal with the struggle of balance –between my work and life– without undermining one from another. By making the existing precarious conditions explicit, I used them as opportunities for creating new meanings. Shaped by trust and generosity not by distant prejudices, this project’s main objective was spontaneity and no high expectations. The given conditions weren’t obstacles, hence neither they were counterfeit nor new, for any one. As work is part of life, life becomes part of the work. Finally this project carries the approach through which I claim and make visible the artist-mother’ way, amidst the two modes of her being and operating in the world. (WZK)

This project is kindly supported by CBK Rotterdam.

Tags: , , , ,

 

Field Trip #18, Rania Atef

April 7, 2019 posted in collaboration, events

’Do I Look Like a Seahorse’? 

Date: Monday, April 8, 2019
Time: 10:00 – 12:00

Rania Atef (1988) is an Egyptian multidisciplinary visual artist whose work explores the notions of play and craft across a wide range of mediums including: painting, sculpture, installation and video. She obtained her Bachelor degree in Product design from the faculty of Applied Arts in 2011 and is currently enrolled in MASS Alexandria 2018/2019 program for Contemporary Art.  Atef has participated in a number of local and international exhibitions and festivals.

On Monday, the 8th of April, in collaboration with m/other voices and Upominki, Rania Atef will present her artistic practice and current project ‘Do I Look Like a Seahorse’ , reflecting on her experiences of motherhood, both as an experience and an institution within her native Arab context.

Please reserve via info@mothervoices.org as places are limited.

Tags: , ,

 

Taking Care ~ Rachel Epp Buller

November 10, 2018 posted in collaboration, events, research, residency, subsidy

Taking Care, by Rachel Epp Buller
19 – 23 November 2018
12:00 – 17:00

/Exhibition running until the 31st of December/

Dear friend, by Rachel Epp Buller
Friday 23 November 2018
19:00 – 20:00

From the 19th of November to the 23rd of November, between the hours of 12:00-17:00 the artist, scholar, printmaker and mother Rachel Epp Buller can be visited at Upominki, Rotterdam, where as the artist in residence she will embroider words on in a durational performance devoted to care and listening. The artist welcomes community members to join her in embroidering, crocheting, knitting, or just in conversation.

Epp Buller’s latest work Taking Care explores letter-writing as an act of care and a bond of human connection that is directly connected to slowing down, taking time to take care, with our words and for each other. In Taking Care, the artist invites participants to write her a letter that recounts an act of care, large or small; she offers to receive these words, to intimately listen, and to embroider the words to make publicly visible these often unseen labors.

The residency period will end in the performance of ‘Dear friend’, a performative reading of letters across time, written by Rachel Epp Buller and performed together with the artists Deirdre M. Donoghue, Barbara Phillip, and Weronika Zielinska-Klein. This performative reading of letters and epistolary texts considers how feminist maternal relations of care and attunement in the present, and a willingness to listen to voices from the past, might help us to radically reorient our ways of relational being for the future. Doors will open at 18:00, the performance commences at 19:00 and lasts for 1 hour. Before the performance there will be soup served and afterwards the bar will be open.

Please reserve in advance via: info@upominki.nl

Additionally, in the framework of the ongoing Field Trip programme by the m/other voices, on Wednesday, November 21, 2018, Upominki will be hosting the artist and her guests for Field Trip #17. Please reserve via info@mothervoices.org as places are limited. For more information go to m/othervoices.org

Dr. Rachel Epp Buller is a feminist art historian, printmaker, book artist, professor and mother of three, whose art and scholarship often speak to these intersections. Her writings on art and the maternal include Reconciling Art and Mothering (Ashgate/Routledge) and the forthcoming Inappropriate Bodies: Art, Design, and Maternity (Demeter). Her current creative work explores letter-writing as a radical act of care and listening across time. Her curatorial projects often involve collaboration, across disciplines and across countries. She is a Fulbright Scholar, a board member of the National Women’s Caucus for Art (US), a regional coordinator of the international Feminist Art Project, and current Associate Professor of Visual Arts and Design at Bethel College (US).

Tags:

 

Beyond the Moon ~ events

October 5, 2018 posted in collaboration, events, projects, research, subsidy

~ Wednesday 7 November at 12:45-14:45h together with Rotterdam based artist and architect Gill Baldwin, we will be hosting a workshop for children between 6-12 years from the Oude Westen primary schools, inspired by the artist’s fascination in dysfunctionality of architecture, curved lines and asymmetry. Maak je eigen droomhuis is being realised in collaboration with De Nieuwe Gaffel, a place for meeting, citizen power, participation, emancipation and reciprocity in the Oude Westen in Rotterdam.

~ Sunday 11 November at 15-18h closing event of Ger C. Bout Beyond the Moon. This event serves as a wonderful opportunity for a local get-together of different individuals and neighbourhood initiatives, actively involved in the on-going discussion on gentrification and social housing situation in the Oude Westen area.

This project is kindly supported by

Tags: ,

 

Polymath – hominem universalis #2

June 3, 2018 posted in collaboration, events, functional objects and materials, labour, research, subsidy

flyer2.1
image credits NIKA

Polymath – hominem universalis # 2

Sunday 3rd of June at 3PM

Dear…

We are very excited to invite you to the second of many conversations/collective imaginings/speculations/gatherings/meals and workshop situations, we’ll be hosting around the notions of giving, receiving and reciprocating.

In this opportunity we will have as a guest, academic and assistant professor at the Department of Business-Society Management of Erasmus University, Dr. Samer Abdelnour.

“The discussion will try to unpack a question that social scientists have long been preoccupied with: Can actors spark institutional change when they are deeply embedded in those very institutions they seek to change? The talk will give an overview of different ways of thinking about this question, and possible ways to think about actors and institutions.

We will do our best to apply this question to our own work as well as our community and societal ambitions. Bring your thoughts, ideas and questions!”

As part of this workshop, Samer would like to share a text that addresses some of the key themes we will be discussing:

http://journals.sagepub.com/doi/full/10.1177/0170840617708007

Over the course of the afternoon and alongside Samer’s presentation, readings and discussion, we´ll be looking into some excerpts of texts that may inspire our conversation.
We will revisit John Brunner’s sci-fi novel, Polymath, while we actively change and create the new physical space of Upominki.
As such, and for the purpose of this new beginning, we would like to offer a non-monetary transaction for your time and dedication in the creation of the new Upominki.

If you are interested in participating, we then ask you:
How could we reciprocate? What would you need most of a space like Upominki? How can we build a relationship that benefits both the space and your needs or desires? What can we do for you?

The gathering will start at 3PM at Upominki, feel free to propose someone who might be especially interested in these ideas.

Please confirm your participation so we can make sure to have enough food, drinks and tools for all of us.

We are really excited about these get-togethers and look forward to seeing you there!

Weronika and Natalia

_*_*_*_*_*_*_*_*_*

Polymath – hominem universalis is a series of gatherings meant to open up a discussion on the post-work post-home and post-capitalism time. Taking as a starting point the book of John Brunner, together with the invited guests, we tend to touch upon the notion’s like: skills, being skilled, being universal versus being trained in a specific field, being a hybrid person (among others).

Tags:

 

Polymath – hominem universalis

March 27, 2018 posted in collaboration, events, functional objects and materials, labour, projects, research, subsidy

collagesi-fi2
image credits NIKA

Dear …,

Since the beginning of 2012 Upominki has been operating in Rotterdam, and beyond, as a platform for exchanging artistic ideas.

It became a space through which life and work connect. The unofficial opening of Upominki took place on the 20th of March 2012, which was also the day of my …birthday. Maybe it’s a coincidence, maybe not. Yet, we (Natalia, you and myself) find ourselves almost at the same time of the year, six years further from Upominki’s initial thoughts on giving, receiving and reciprocating.

On appreciating and giving back.
On labor. On time.
On investment, knowledge and sharing.
On sharing knowledge, especially that of the artist, the mother, the friend, the lover, the neighbor
On care. On acknowledging the other, and oneself reflected in her/him/it/they.
On acknowledging the presence and consistency of those who decide to stick around, no matter the material return, the profit or advantage it may reward.

“A polymath is a man or woman adapted and trained for years, right up to the age of forty, to take on one job on one particular planet. Not a superman, not a kind of walking computer, just a person with a special kind of dedication who’s been worked on by a vast team of experts, chemically, surgically, intellectually… I couldn’t tell you this, because you’d expect me to perform miracles. First you had to get acquainted with me as a person, didn’t you? Otherwise you’d have regarded me as a machine.” Pg. 70

Today we are very excited to invite you to the first of many conversations/collective imaginings/speculations/gatherings/meals and workshop situations, we’ll be hosting around the above notions and questions, but also many more that may derive from our collective thinking.

Together with you we would like to establish a group of informal board of trustees, friends and colleagues, who are open to think, discuss and implement a communal idea of how to work together?

 “Point taken, Lex. I guess all of us want to go on seeing things run by popular consent, too, not by one man the way they are up on the plateau.” Pg102 

 Would you like to accept this invitation?

Over the course of the early afternoon on Sunday 25th of March 2018, accompanied by food and warmth, we´ll be looking into some excerpts of texts that may inspire our conversation. During the reading/discussion Marc will develop a restoration workshop, where we will be invited to propose solutions, restore, fix or give new functions to objects that no longer serve their original purpose.

Therefore, please bring an object with you that needs restoration, has to be fixed and/or re-adapted but you never had enough time to do so.

The gathering will start at 12PM at Upominki, feel free to propose someone who might be especially interested in the idea.

Please confirm your participation so we can make sure to have enough food, drinks and tools for all of us.

We are really excited about these get-togethers and look forward to seeing you there!

Weronika and Natalia

_*_*_*_*_*_*_*_*_*

Polymath – hominem universalis is a series of gatherings meant to open up a discussion on the post-work post-home and post-capitalism time. Taking as a starting point the book of John Brunner, together with the invited guests, we tend to touch upon the notion’s like: skills, being skilled, being universal versus being trained in a specific field, being a hybrid person (among others).

Quotes: Polymath John Brunner DAW BOOKS, INC. DONALD A. WOLLHEIM, PUBLISHER 1301 Avenue of the Americas New York, N. Y. 10019

See more from Polymath – hominem universalis

Tags: ,

 

Field Trip #16 with Lena Simic

November 21, 2017 posted in events, projects

about

The Institute for the Art and Practice of Dissent at Home 

23rd of November 2017
12:00-15:00h
Upominki hosts m/other voices

During the event Lena will both introduce us to her practice within the ‘Institute for Art and Practice of Dissent at Home’ and narrate this part of her transdisciplinary practice through a contextual framing of ‘maternal practice’.

Lena Simic is a performance practitioner, scholar and pedagogue, born in Dubrovnik, Croatia, living in Liverpool, UK. She is a co-organizer of The Institute for the Art and Practice of Dissent at Home and Reader in Drama at Edge Hill University, UK.
The Institute for the Art and Practice of Dissent at Home  is an art activist initiative run from her home together with Gary Anderson and their four children Neal, Gabriel, Sid and James.
Together with her umbrella arts project Maternal Matters which collects a number of maternal video artworks and performances, The Institute for the Art and Practice of Dissent at Home  has functioned as Lena’s methodological frame and artwork for her creative processes and outputs. Her autobiographical performance practice is informed by feminist discourse and its relation to everyday lived experience, memory and fantasy. Recent artist publications include: 4 Boys [for Beuys] (2016), Five: 2008 – 2012 (2014), a book documenting the first five years of the Institute for the Art and Practice of Dissent at Home), The Mums and Babies Ensemble: A Manual(2015), Foundations with Free University of Liverpool (2012), Blood & Soil: we were always meant to meet… performance document, with Jennifer Verson (2011) and Maternal Matters and Other Sisters Artist Catalogue (2009).

 

Tags: , ,

 

Conversas Rotterdam #101-110

November 6, 2017 posted in collaboration, events, projects

21617684_1954263851498640_4669084029390490589_n

Conversas is a series of weekly informal meetings made so that we can get to know and discuss projects and interests.

During the event three Conversadores (those who talk at Conversas) bring something to share with the gathered group, for thirty minutes each. As the title suggests itself, Conversas (Conversations in Portuguese) offer an equal set up from which all can benefit.
There’s beer for 2€ (donation for the next publication).

The eleventh series of Conversas Rotterdam is hosted by Upominki (Sint-Mariastraat 132B Rotterdam) and Publication Studio Rotterdam (Zaagmolenstraat 129a) and takes place on Wednesdays between 19.00 and 21.00 (4th of October – 6th of December). Weekly we will alternate between these two locations. This series is organised by Constança Saraiva, Harrie Bots, Oana Clitan in collaboration with Weronika Zielinska-Klein and Yin Yin Wong.

Conversas is a project by Constança Saraiva and Mafalda Fernandes initiated in Lisbon, in 2012.
Nowadays, it’s a project of many people and cities.
www.conversas.net

Events are open to all and the entrance is free.

—-

Posters of the series Conversas #101 – #110
Designed by Heike de Wit

Heike is a graphic design student from the Netherlands, currently doing an internship at
Publication Studio Rotterdam. One of the locations of the global network of Publication Studios, which
focusses on publishing and designing works of promising and sometimes starting writers and artists. Her own works consists of essays surrounding media theory—mostly current graphic design culture and visual anthropology—but also design fiction, visual essays, an intervention in the public domain and experimental typefaces are categories she practices. She likes quality time with people she loves and thinking about what to wear the next day.
www.heikedewit.com

Tags: ,

 

Upominki participates in…

October 1, 2017 posted in events, projects, subsidy

mothernist+image

12-15 October, 2017
THE MOTHERNISTS II: WHO CARES FOR THE 21st CENTURY?

October 12-15th, ANAFORUM presents: ‘The Mothernists II: Who Cares for the 21st Century?’, an international symposium on care work and intergenerational feminist knowledge-sharing held in conjunction with the exhibition ‘Mothernizing ANA: Who Cares for the Future?’ The symposium is co-organized by Lise Haller Baggesen and Deirdre M. Donoghue and is co-hosted by Astrid Noacks Ateliers and the The Royal Danish Academy of Fine Arts

‘The Mothernists II: Who Cares for the 21st Century?’ is the second iteration of ‘The Mothernists’, a transatlantic summit / art exhibition held in The Netherlands in June 2015, which brought together the work and thought of practicing international artists and art historians for the cross pollination of art, philosophy, and maternal theory, practice, and experience.

Participating scholars, artists, mothers, activists in ‘The Mothernists II’:
Irina Aristakhova (USA), Lisa Baraitser (UK), Yvette Brackman (DK), Rosemarie Buikema (NL), Myrel Chernik (USA), Chloé Clevenger (USA), Ada Corsi (DK), Christa Donner (USA), Deirdre M. Donoghue (NL), Pirkko Donoghue (FIN), Kirsten Dufour (DK), Rachel Epp Buller, (USA), Arahmaiani Feisal (IDN), Dyana Gravina (UK), Lise Haller Baggesen (USA), Jubsi Baggesen (DK), Courtney Kessel (USA), Tina Kinsella (IRE), Natalie Loveless (CAN), Irene Lusztig (USA), Nanna Lysholt Hansen (DK), Elena Marchevska (UK), Irene Pérez (ESP), Micah Perks (USA), Barbara Philipp (NL), Shira Richter (ISR), Lena Simic (UK), Emily Underwood-Lee (USA), Faith Wilding (USA), Sheena Wilson (CAN), Weronika Zielinska-Klein (NL), Danielle C. Wyckoff (USA), DRANG (DK). 

With contributions from:
Bracha L. Ettinger (ISR) and Silvia Federici (USA).

‘The Mothernists II’ has been made possible by support from Astrid Noacks Ateliers, Copenhagen (DK), Centrum Beeldende Kunsten, Rotterdam (NL) and The Royal Danish Academy of Fine Art, Copenhagen, (DK).

Weronika Zielinska’s (Upominki) participation in the ‘The Mothernists II’ has been made possible with the support from Centrum Beeldende Kunsten,Rotterdam (NL).

GLP.Mothernism.germany.1

THE MOTHERNISTS II MANIFESTA
Lise Haller Baggesen & Deirdre M. Donoghue

 

Tags: , ,